Showing posts with label Purdue. Show all posts
Showing posts with label Purdue. Show all posts

Wednesday, August 25, 2010

Inspiration...

It's been quite a while since I've blogged, and if anybody still stumbles upon my blog, whether it be by accident or low percent chance of someone hoping to read more of my Epic Tales Ramblings; I'd just like to say that my hiatus from blogging was necessary as I was starting to burn myself out on all the little things. People really need to be careful when they get burnt out though, and I suppose without thinking about it I heeded that exact advice. The advice whom as even a kid I'd have given to the ultimate impression on me...


(Photo by Michael Guio)

I had a conversation with a good friend of mine yesterday about the process of learning photography and how appreciative he has been over the last few years of my allowing him to ask me questions, and I've always never had a problem with it because I feel as though he keeps me on my toes with my profession. I also told him that I'm honored he looks at me with photography because I look at photography that I want to emulate for instruction. The above photo Mike took at the very beginning of his photographic career, and it's one of my favorites of his. Really it goes to show that you never know where your inspiration will come from, or where it will take you.

When I was just starting out as a photographer (learning with the goal of being a professional), I only knew two photographers at the time personally, and they were both very inspirational to me. The first was my grandfather who was a recreational photographer and an Electrical Engineer for Inland Steel. He never thought he could make a living out of photography, and so he did a job that is a lot more complex than photography could ever be. The other ironically knew my grandfather in the steel mill. The only difference is that he was the Staff Photographer for the Mill.

(Photo courtesy of Chelsea Leininger)
I wish I had a photo of him, or a photo that he took, but I don't. That's him on the left at my friend Chelsea's senior review. Chelsea is also one of the fortunate souls to have studied under him, and is also incredibly grateful for it. It's unfortunate because he was killed in a head on collision with a Semi Tuesday morning of August 24th. He was the one that gave me my ridiculous quest of sharpness, color correctness, and doing it right the first time.


That photo was taken as part of my senior project while at Purdue under the supervision of Tim Fuller. I shot one of the first two senior projects to have ever been shot digitally. Really the first two projects shot digitally were shot that way without permission. We did it because professionals around the globe were adopting digital, and yet our professor Tim was adamant that film would prevail and would always be better. In the end, he was almost right according to this article.

He is most likely the reason I just short of idolize the work of people like Dave Black, and Joe McNally. The people that strive to make images of moments in real life, look like something you can only imagine.

He was a stick in the mud, hard headed, completely uncompromising when it came to his students quality of work, and I couldn't be where I am today without his inspiration. If I had a nickel for every time he told me to re-shoot something, or that something wasn't sharp enough; I'd easily have a thousand dollars. When I look at works that I don't like, I remember his criticisms towards me, and know that I need to be honest towards any works as that they may reap the benefits of said criticisms as well. Maybe I'm not always as brutally honest as he was, but more people should be. He believed that nothing was an accident, any light in any shot, of any video or still image were all planned. Because of him, I see light the way that I do and I aim for nothing but to shoot things accurately when I shoot them; like Joe McNally, or Dave Black. I am by far eternity not a perfect photographer, or even more so not a perfect person. In the end you never know who will influence you the most or where those influences will come from. Maybe someday I'll be able to influence someone the way that both my grandfather, and Tim influenced me. Someday maybe Michael will be able to influence someone, the way that he has thanked me for influencing him. I hope that there is a lot of photography left in this world even though photography is becoming much more point and shoot for the entire population no matter who you are. Maybe the world will recognize the skills that are actually involved in this profession and despite the increasing number of people that attempt to make a living at it. Even though everyone deserves a chance to live their dreams, and I welcome people to pursue the dream of being a professional Photographer as that is my dream. Zack Arias, whom I don't know personally but greatly respect said it best in his article here.

Inspiration can come from anywhere. It's the greatest honor of my life that I have been called inspirational by at least even 1 person. Tim Fuller was inspiration to hundreds. He was a Professor, a mentor, a teacher, and a friend. He will be sorely missed by more than a handful of people. May he rest in peace. More Soon.

Sunday, April 25, 2010

Purdue Grand Prix...

Every now and then I am offered an opportunity to go and shoot something to give back to the photographic community, as well as to the University that I received my education at. I say received as though they offered me that education freely, where as though in reality I paid (and am still paying) quite a bit for it. When in contact with a Student organization I used to be involved with, my shooting of the 53rd annual Purdue Grand Prix race came up, to which I couldn't refuse. I had already planned on going up to Lafayette that weekend to see some very good friends from a galaxy far far away (Utah, Pennsylvania and the like) so I thought, why not. They would be partaking in their own festivities that day so it seemed like a great opportunity.

(Nikon D3, 500ISO, Nikon 70-200mmF2.8VR@190mm, 1/1600th@F2.8)

That was a relatively common scene in the Pitts on Saturday at the Race as it looked pretty gloomy outside. Ok maybe that's not what she was contemplating, for all I know she could have been contemplating her decision to eat Taco Bell for lunch or the decision to paint her fingernails red on such a doom and gloom stormy day. Little did I know at the time, but this young lady was standing next to the car that would win it all in the end. It just goes to show you that sometimes you are in the right place at the right time. For me, I just happened to notice this young lady, and decided to make the picture. This was a great opportunity for me to shoot and make some very journalistic black and white photos, which isn't part of my normal routine.


(Nikon D3, 220ISO, Nikon 70-200mmF2.8VR@200mm, 1/1250@F2.8)

No lights, no tripods, no products, no models or wild complex setups involving bedsheets. I was out on the track running and gunning to look for the angle that would give me a shot setting me apart from the rest of the mass of photographers out there. This crash occurred early in the race, at about lap 7 I believe. I was terribly blocked from seeing what was going on in regards to the driver and that's not to mention the fact that I was far too far away. I guess it just goes to show that sometimes the real photo isn't what's right in front of you. I was intrigued by Purdue Pete taking a knee for one of his downed students.

(Nikon D3, 200ISO, Nikon 70-300F4.5-5.6VRII@300mm, 1/250th@F5.6)

It was a lot of fun being out on the track, which to someones lack of better judgment let me dangerously close too. Don't underestimate the term dangerously close either, I definitely ran across the track during part of the race at an opening so I could get into the middle. I didn't use the bridge to cross, I was foot to pavement on the actual track. Obviously the people putting on this event weren't given the proper information allowing me to be on the property, as frogger is my game of choice...

All of the drivers were in search of one thing though, and that was the trophy for the Win. It turns out that Justin Penix was the Pole sitter that day as well, who for a while as I recall was bumped back a few spots. In the end he pulled through though, and good for him. I wanted to do something a little different with the shot of the winner, and that's where the Overcast crappy day came into play as crappy cloudy days can make much more epic photos of triumphant people whom you want to represent very dramatially.

(Nikon D700, 200ISO, Nikon 18-35mmF3.5-4.5@18mm, 1/400th@F10, Nikon SB-900 set to iTTL +1EV zoomed to 200mm attached to the camera via SC-28 Off camera cable aimed at Justin using my left hand at arms length)

So I couldn't go the whole day without doing something with my Strobe. I was happy with the shot, so what? I did play with a lot of black and white though, and I encourage you to check out the rest of the shots here. I enjoyed the day, and the rain held out for the race, which was amazing. Everyone was sure we were going to get soaked, including me. Glad we didn't as I've found that water and cameras don't always get along.

I feel as though the day was a success on many accounts. I saw some very dear friends, I shot some photos that I like from the race (I shot lots lots more that I didn't like though too), I also ran into a reader of the blog whom I'd never met before. One of the shooters at the track is a reader, and I'd like to say thanks again to everyone that does suffer through my horrible grammatical and spelling travesties for the sake of looking at the pictures. It does mean a lot that you are here, and It was incredibly awesome, and humbling to find out that there are people out there whom I don't know that read this. So thanks again, and without a doubt; More Soon.